a founder of the codex
Eternity
Aeviaria lentissima·the Slowest Rhythm
From Latin aevum, unending age, and lentissima, slowest, the endless time that the slowest rhythm comes nearest to.
- Level
- Conceptorganism
- Phylum
- Centre and peripheryimage schema
- Class
- Kernelits still point
- Niche
- Extremophileabsence
- Mode
- Religionhow it keeps existing
- Stage
- Matureindividuated
- Status
- Living
- Habitat
- Ocean
Its kinds · Roget, 1852: Time · Wilkins, 1668: Space · WordNet, 1990: Time · Llull, 1308: B · God
Eternity is time without end, or the whole of time held at once, and a turning thing comes nearer to it the slower its rhythm runs.
The slower a rhythm runs, the nearer it comes to a whole that never passes.
behavior It barely moves, and each of its parts turns more slowly the nearer it lies to its still centre.
What in you would have to slow down for you to feel that nothing is passing?
I Dissection
Each organ answers one question about the idea. The framed one, its kernel, is the dominant organ: the being's class, the one the idea could not lose and stay itself.

Fig. 1. Kernel
Still point
❦ dominant organWhich premise, if it were false, would kill this idea?
Eternity is the whole of a boundless life held at once, with no before and no after, as Boethius defined it.2
drawn as: still point · view: cross section

Fig. 2. Boundary
Hourglass
What sets it apart from what it is not, and how does it keep that distinction?
It is set apart from time that merely goes on, for a world lasting for ever would still pass moment by moment, and so be perpetual, a lesser thing.2
drawn as: hourglass · view: microscope

Fig. 3. Intake
Great Year
What must it feed on to work? What has to be present, noticed or supplied?
It is approached through the slowest rhythms, the heavens wheeling until every planet returns to where it began in one Great Year, and a breath slowed in contemplation.1
drawn as: Great Year · view: detached

Fig. 4. Mechanism
Concentric circles
How does it turn what it takes in into what it gives out?
Time imitates it by moving in circles, and of circles turning round one centre the inner ones move least, so a rhythm comes nearer to it the slower it runs.1, 2
drawn as: concentric circles · view: transparent

Fig. 5. Output
Oceanic feeling
What does it make possible, visible or knowable?
Glimpsed, it gives what Freud, quoting a friend, called the oceanic feeling, a sense of something limitless, and beside it a single life looks brief and whole at once.5
drawn as: oceanic feeling · view: at work

Fig. 6. Dispersal
Ouroboros
What part of it travels into other minds, ideas and fields, and by what vector?
It travels as a ring with no start, the serpent biting its tail, and in poems that claim to find it, as Rimbaud found it in the sea mingled with the sun.4
drawn as: ouroboros · view: in situ

Fig. 7. Decay
Unconformity
What can it not digest, where does it fail, and what does it leave behind for others?
Every measure falls short of it, and the earth in which Hutton saw no vestige of a beginning now has a measured age. What it leaves are gaps in the rock, where whole ages were worn away unrecorded.3
drawn as: unconformity · view: magnified
II Meaning associations
No relations recorded yet.
descent membership food web resemblance or friction
Lineage
A founder, dissected by hand.
Kin
same kind in Roget Equinox, Spring, Winter, Foresilence, Tide of Days
same kind in Wilkins Equinox, Spring, Winter, Foresilence, Tide of Days
same kind in WordNet Equinox, Spring, Winter, Foresilence, Tide of Days
same kind in Llull Miracle
same phylum Aura, Geomancy, Presence, Qualia
same dominant organ Archipelago, Entanglement, Entelechy, Geomancy, Qualia, Salt, Syllable, Symmetry, Vertigo, Volition, Weightlessness, Knowing Trust, Hesychology
Genome
- endlessness
- stillness also in Frost, Hesychology, Lake
- slowness
- wholeness
- return also in Commemorative Revision, Equinox, Tide of Days, Nostalgia, Rain, Reflection
III In the world
Echoes
- the sea mingled with the sun
- a serpent biting its tail
- the unconformity at Siccar Point
- a sanctuary lamp kept always burning
IV Record
How it was drawn
its draw 5, a point in the morphospace (laws §8), drawn by flux-2-klein-4b.safetensors.
| axis | value | |
|---|---|---|
| book | uranographia | |
| symmetry | radial 6 | |
| organization | nested | |
| silhouette | ribbon | |
| scale | immense | |
| proportion | compressed latent | |
| growth | apical | |
| articulation | jointed | |
| openness | spongy latent | |
| skeleton | endoskeleton latent | |
| locomotion | gliding latent | |
| pattern | speckled | |
| coloration | countershaded latent | |
| substance | calcite | |
| surface | ribbed | |
| palette | bismuth | |
| luminosity | points | |
| transparency | translucent latent | |
| gesture | pulses | |
| unity | aggregate | |
| modality | necessary latent | |
| causation | unmarked latent | |
| determinacy | fraying latent | |
| fusion | built of | |
| anomaly | scale clash | |
| graft | scales pans | |
| technique | engraving | |
| viewpoint | motion | |
| value | flat latent | |
| balance | leaning latent | |
| density | graded detail latent | |
| rhythm | clustered latent | |
| saturation | muted latent | |
| appendages | sails | |
| anchor (body) | a jellyfish bell with frilled oral arms trailing beneath | |
| anchor (detail) | a pyrite sun, a flat disc of radiating crystal |
Sources
- Plato, Timaeus (c. 360 BCE), on time as a moving image of eternity and the perfect year
- Boethius, The Consolation of Philosophy (c. 524), Books IV and V
- James Hutton, Theory of the Earth (Transactions of the Royal Society of Edinburgh, 1788)
- Arthur Rimbaud, Une saison en enfer (1873), Alchimie du verbe
- Sigmund Freud, Civilization and Its Discontents (1930), chapter 1, on the oceanic feeling
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